Light the person
with the shape
The tube draws the trace and illuminates your subject. Learn how its direction, your gesture, and the distance between you change the result, without a separate flash.
A single light source / p. 48One handheld light creates the trace and lights the subject. The landscape supplies the rest.
Their outdoor technique starts with a flashlight inside a plastic tube. Moving it through a long exposure creates a visible shape, while the same light illuminates the person and the ground around them. They work with the light already in the landscape, without adding a flash.
Outdoor Light-Painting Photography is a light-painting book shaped by ten years of experimentation. Its step-by-step tutorials explain how to prepare, choose your tools, balance ambient and painted light, and adapt when conditions change.
Most of the photographs are made in a single exposure. The authors also explain when they use multiple exposures or two cameras, and how they process the results.
Explore the contents ↓The tube draws the trace and illuminates your subject. Learn how its direction, your gesture, and the distance between you change the result, without a separate flash.
A single light source / p. 48Blue hour fades. The Moon changes the shadows. An aurora changes the sky. Work through eleven outdoor scenarios, with planning advice, starting settings, and case studies.
Shooting scenarios / pp. 70–125Black clothing alone will not make you disappear. Understand alignment, body position, and silhouettes, then learn to keep the subject sharp while you move the light.
Position & movement / pp. 56–65Start with simple tools, prepare the camera, and scout your location. Keep equipment checklists, tube-color references, and a tube datasheet close at hand.
Gear, preparation & referenceKeep the camera steady on a tripod and open the shutter. Move a light through the scene during the exposure. With Kim and Eric's tube technique, the trace also illuminates the person. Start in blue hour and adjust the exposure as the ambient light changes.
A camera with manual exposure, a tripod, a flashlight, and a plastic tube are the starting kit described in the book. A remote trigger lets the photographer move into the frame. Practise a simple shape before adding more equipment.
The book starts with equipment and preparation, then follows the choices behind the photograph: where to stand, how to move the light, and how to keep the subject sharp. Its light-painting tutorials and field references are for beginners as well as photographers refining their technique.
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Outdoor Light-Painting Photography:
The Essential Field Guide
Paint with love,
paint with light